Archive for 2008


2008 has been a good year

23 December 2008

As the year draws to a close, looking back on 2008 I’m really thankful for the following things:

My health
Unlike last year (when I snapped my right achilles tendon playing soccer), or 2005 (left Anterior cruciate ligament reconstruction), or 2002 (cholesteatoma & radical mastoidectomy – left ear), this year has been one of steadily improving health and fitness. I’ve been going to the gym 3 or 4 times a week; walking more; sleeping more (generally 8 hours a night!); and eating much, much better. My weight is the same, but it seems that there’s more in the right places, and less in the wrong.

My work
My company – Meld Consulting – started up just over a year ago. Our first projects kicked off in January with some UX work carried over from my time at Red Square. I did some work on projects for oneworld Alliance (oneworld.com) and YHA Australia (yha.com.au), which I’d started in 2007. I was fortunate to do some UX/IA work for Andrew Morse at Digital Tsunami (multinail.com.au); and then did some usability/UX consulting work for Maersk Line (maerskline.com).

As the year progressed, things picked up: some work with Lisa Herrod at Scenario Seven; and then UX consulting work for the NSW Department of Education & Training. That work came in three parts: UX strategy & architecture for the Click technology guide for parents (http://www.schools.nsw.edu.au/news/technology/index.php); then some UX & IA work for the DET Procurement unit; and then the major piece of work for the year – the UX strategy, stakeholder research, and UX design for the redesign of the DET Staff Intranet.

Most importantly, though, I’ve been busy. The work has been coming in steadily, with the occasional peak; and without any real troughs.

Writing & Talking
One of the things I really hoped to do this year was to write more. Last year I had a few articles published in UXMatters, which was great, but this blog was sorely neglected (only 16 posts, and none that were really memorable). I wanted this year to be different – for articles (of some substance) to appear both on UXMatters – which I did, four of them – and here, 32! some of which weren’t totally trivial.

I also wanted to make a concerted effort to contribute to other people’s writing, by posting comments to their articles and helping to further the discussion around their work. I haven’t really been keeping track, but I know I’ve posted more comments this year than I have in the past.

I’ve also been privileged to be invited to present at two conferences during 2008: Web Directions UX ‘08 held in Melbourne in June; and Oz-IA 2008 held in Sydney in September. Two very different, but equally excellent conferences. I’m hoping I get a chance to speak at both again in 2009, but we’ll have to wait and see.

Twitter
I’m really thankful for what Twitter has contributed to my life this past year. And by ‘Twitter’ I mean the 350 people or so who communicate with me on a daily basis, and who have enriched my personal and professional life to such a large extent during the year. It really isn’t possible to articulate what a difference this has made for me during the year – the innumerable conversations, comments, links, ideas, dialogue (in the Greek sense) that have helped me gain a much greater appreciation for this thing we do called User Experience.

I’ve also been most fortunate to get to know people around the world just a little bit better. To share, in some small part – and to be able to share – the more mundane, but much more important things that enrich our personal lives. I don’t want to single people out, because that’s not really the point.

Giving something back
2008 has been a very good year for me – both personally & professionally – and I’ve been lucky to have a few opportunities to give something back to the community and industry as a whole. Earlier in the year Meld was one of the sponsors of WebJam (webjam.com.au) and just recently one of three sponsors of Sydney’s WebBlast end-of-year party (webblast.org).

I’ve been honoured and somewhat humbled (I’ll be honest and say that humility in my case is a really relative concept) by being asked to provide feedback and input into other people’s work. I can’t express just what it means to be asked by a peer to assist them with their own projects; I just hope my small contribution repaid their faith in me.

Towards the end of November I posted a message to the IA Institute members list about an idea I’d had for a local group – a book club focused on User Experience books. The idea elicited quite a bit of interest and as we approach the year’s end 31 local UX Book Clubs have been formed around the world, with some 450+ people signed up to attend. The Silicon Valley UX Book Club was the first to hold a meeting – on Dec 16 in Mountain View, California. I’m hoping we see a lot more of these in 2009.

None of that would have happened without the support and active contributions from a whole group of people – including the 30 people who volunteered to coordinate a book club in their city – but especially Russ Unger, Andrew Boyd, Will Evans and Livia Labate. These are amazing people, and not because they helped with the book club :)

And of course…
I wouldn’t have been in anything like such a good position if it wasn’t for the strong, steadfast, and unwavering love and support of my wife, Danielle. She is simply wonderful; I did well to marry her.

And finally…
I hope 2008 has been a good year for you. More importantly, and regardless of what this year has been like, I hope 2009 is better. As this year draws to a close I’m already looking forward to what 2009 has to offer. I hope you are too.


Continuity

21 December 2008

A film – large or small – comes together through a long process in which filming is just one component. Individual scenes are filmed, edited, special effects added, edited some more. And the filming of each scene doesn’t occur in sequence: the crew doesn’t open the script on page 1 and start shooting. No, each ’shot’; each scene of the film is shot separately; out of sequence; and in a schedule suited to availability of actors, locations, equipment & crew.

The final result is the sequenced combination of each of those scenes, after shooting, special effects, and editing – into the integrated whole that tells a tale; entertains us; frightens us; makes us laugh or cry, think or angered. A sequence of small snippets building into a powerful whole.

In a well-made film every piece is contributing to the overall effect. Nothing is extraneous; nothing detracts.

One of the lesser-known roles in film-making – and TV, for that matter – has the job of making sure that everything flows smoothly from scene to scene. They ensure that a watch doesn’t suddenly appear as an actor exits through one door and enters the next room because the scenes were shot days, weeks or even months apart. They ensure that a vase full of flowers don’t change colour during a scene; or that a rower on a Viking long-boat in the 6th century AD isn’t wearing spectacles!

This is the job of the continuity person. And their role is important, because they help to preserve the illusion on which the entire film or performance rests. We need to be immersed in a film; engaged in the story; not distracted by the flaws in the production. Any discontinuity causes us to step back out of the experience, and lose our engagement.

Such disruptions to the flow of a performance ruin our experience and irreparably harm our perception of its quality and value.

The same thing happens with our perception of an organization when one interaction is discontinuous or inconsistent with another. This may be the rude delivery guy juxtaposed with the friendly sales assistant; or the unexpected charges added to a transaction after a smooth online ordering process.

The question is: who’s looking after continuity at your organization? Who’s job is it to ensure that the spell is never broken? Who’s making sure that all of the touch-points and all the separate interactions we design and deliver over time fit together seamlessly, without gaps or inconsistencies?

Who’s your continuity person?


Information Architecture, Content & SEO

19 December 2008

I was reminded during a discussion this morning of the interplay between information architecture, content and SEO in the success of a Web site. I thought back to a thread on the IA Institute’s mail list from July that touched on one element of this issue, and I figured I might as well extract that conversation and make it available here.

The initial question in the thread came from Jenny Wallace, a candidate for the masters in Interaction Design and Information Architecture at the Univ. of Baltimore. Jenny asked:

“How Search Engine Optimization and Information Architecture can build a reciprocal trust relationship between information providers and information consumers. Any thoughts?”

My response was this:

“The notion of trust in this relationship is primarily one – to my mind – of meeting expectations for the information consumers. The consumer will, frequently, land on a page deep into the site content hierarchy and will immediately begin assessing the page for relevancy based on the high-level content labels presented to them. This is clearly where a partnership is most strongly required between IA and SEO practitioners, so that the visually-dominant labels (headings, titles, sub-headings, bold terms etc) are closely aligned to the original search terms that brought the consumer to the site in the first place.

Trust online is a highly fragile thing, and visitors to a site – particularly when originating within a search engine – will be twitchy to begin, so it is imperative that relevance is established quickly, clearly and unambiguously. It should be the case that the higher-level content labels are the ones most closely tied to the search terms – and it’s here that the semantic structure of the HTML comes to the fore.

It is also important to recognise the conflict inherent in the relationship between SEO and IA. Although the goal of SEO should be to attract pre-qualified potential consumers to site, quite often this is interpreted to mean “attract as many people as possible”. For the IA, this represents a real conflict of interest: they’re being tasked with structuring site content to suit the needs of an audience who – by rights – should never be considered in the information architecture.

And it is here that trust can be destroyed very, very quickly: SEO tactics that are designed to draw in visitors with only a very tenuous interest in the actual product or service on offer; and those visitors being presented with content that has little or no relevance to their needs.

One last point: the information architecture strategy for a site must explicitly accommodate visitor behaviour that does not initiate on the home page. Each and every page must provide the sort of context and relevancy triggers for the visitor so that they can not only decide to continue their journey on the site, but also can see clearly how to commence that journey.”

Regular readers of this blog may have come across another post of mine from July that listed out a bunch a questions that UX practitioners can use as a way to frame the development of a UX strategy for their (web-centric) project. Two of those questions were:

  1. If people arrive at your site somewhere other than the home page, how will you provide them context and communicate both intent and possibilities?
  2. How will people find your site? And how do the activities you undertake to encourage them tie in with your other design consideration?

[Note: they actually appear as questions 13 & 14 in the original post.]

The issue of establishing trust and credibility in the minds of visitors arriving via search engines can be seen to be a sub-component of the overall set of responses one might make to these two questions. Trust and credibility should be two of the considerations when formulating your overall content and SEO strategies, and these should tie in to the information architecture you design for the site.

These three areas: information architecture, content, and SEO, need to be considered together in order to meaningfully address the two questions above; and one is not really complete unless it is being complemented by the other two.


What experience designers can learn from the Mini…

13 December 2008

The very first car I owned was a Mini. That was back in 1988, just after I finished high school. It was worth about $1,500; was British Racing green in colour; and stuck in third gear when it was cold. It didn’t have air conditioning; there wasn’t much room in it; and it was nowhere near as good as the cars my mates were driving.

I loved that car. It cornered like no car I’ve driven since – including two sports cars. The car body is wide, and low to the ground. You could throw it into a corner at 70 or 80km/h and it would just hug the road and turn like it was on rails. When they were first released in the ’60s, they came with a guarantee that you couldn’t roll one.

[Historical note: Turns out that last part wasn't entirely true, as my older brother demonstrated by falling asleep at the wheel and rolling it down an embankment. Ironically, he wasn't wearing a seatbelt, which saved his life: he fell flat across the front seats as the car rolled and hit a telegraph pole - across the roof. A seat belt would have held him upright in his seat, and his head would have been crushed by the telegraph pole. Instead, he walked away with a split forehead.]

The Mini Cooper S was also a very powerful little car. When combined with it’s cornering and general handling, it made an awesome little race car. It’s hard to believe when you see the parade of V8 cars going around the race-track today that the Mini won the Bathurst 1000 in 1966. Actually, Mini’s came in the first nine places. If you want to know why your Holdens and Fords have good handling today, you can mark it down to the embarassment they experienced getting trounced in ‘66 by a little Mini :)

The Mini was, quite simply, an enormously fun car to drive. More than anything else, that sense of fun was what made the car unique – as much as its iconic shape.

So in 2002 when new owners BMW re-launched the Mini marque, there was a great deal of consternation felt around the world by Mini owners and drivers all terribly worried that the new version would have lost those characteristics that made the car unique.

A few years back a friend of mine was looking to replace his car – an Audi TT. He had a mind to get something a little more sensible, which in his case meant an Audi A4 Cabriolet. While he was in the process of looking he also figured he might as well test drive a few other cars that he had no intention of buying, but would like to drive at least once.

One of the cars he wanted a turn in was the new Mini Cooper. So he rolled up to the Mini dealership in his TT, wandered in and asked for a test drive. A few minutes later he was rolling out of the dealership in a Mini, ready to put it through it’s paces.

Now, I’m not sure this is the same all over, but in Australia the car salesman (literally true) comes along with you. My friend was behind the wheel; salesman in the passenger seat. Away they go.

My buddy drove that car around for a few minutes getting used to the handling (much better than his TT), the performance, brakes etc. But he wasn’t really all that thrilled. He even said so to the salesman. To which the salesman replied: “You’re driving it like an Audi. This is a Mini. Drive it like you just stole it.”

Ten minutes after that he was filling in paperwork to buy it. After 40 years Mini had changed a lot in their car: but they retained the essence of what made the original such a joy to drive. And in doing so, they’re winning over a new generation of enthusiastic car owners.

The lesson here is that, having gone to so much trouble to design and build a product that creates a unique, highly-valued experience, it’s possible to reinvent the product without losing touch with the core elements of the experience that made it successful.


A note about queues and service windows

4 December 2008

We’ve all experienced that annoying sensation that we’re in the “slow queue”. The line next to us seems to be moving faster, but you know that if you shift queues that’ll be the when the new line slows down. You’ve also probably seen that some places set up their queues differently. Typically, you’ll see one of the following configurations:

  • everyone queues up in one line, and goes to the next open service window/register/person (often seen in banks these days, and at airport check-in counters); or
  • people join a queue behind one service window or another. Typically, people will join the shortest queue. (This is what you typically see in fast-food outlets and supermarkets.)

What you may not know, is that getting people to form a single line and go to the next available service window is much more efficient for everyone. Because no-one is necessarily held up by the person with all the excess baggage, or the wheelbarrow full of pennies that need counting, everyone tends to get served faster, on average, than the other model.

The down-side, is that the single queue *looks* longer, and can increase the potential for people baulking. But, the queue also moves much faster, so people are also less likely to abandon the queue altogether.

When designing your service, and looking at your layout options at check-out, it’s important to keep these things in mind.


UX Book Club Sydney

25 November 2008

Update
UX Book Club has a new home at uxbookclub.org. Check out the site for details and add your name if you’re interested. (If you’ve already sent your details via twitter or email, there’s no need to add it again.)


This description has been posted to the IA Institute members list; and will go out to the IxDA list later day. But for those who aren’t subscribed to either…

I’m thinking of starting up a UX Book Club in Sydney. The group would meet once a month (1 – see below), and would come together to discuss a particular UX book. The club would operate as follows:

  • Everyone who attends needs to read the nominated book (you won’t be barred from entry, but it helps everyone get more out of the night);
  • Everyone needs to jot down and bring along: 2 things in the book that really struck a chord; and 1 thing they either hated, disagreed with; or don’t understand.
  • The book would be within the practice of user experience, which might include books like Indi Young’s Mental Models; Dan Saffer’s Design Gestural Interfaces; Todd Zakiwarfel’s Prototyping; and classics such as Don’t Make Me Think; the Inmates Are Running the Asylum; etc.
  • The book should not be arduous to read!
  • Next Month’s book will be announced at the current meeting.
  • Communication via twitter & through mailing lists like IAI-members, IxDA and some of the LinkedIn groups dealing with UX and/or IA.

In keeping with the book-club theme the location would be somewhere like a wine bar (or a bookstore), although the noise level has to be low, and be able to accommodate a group of 15-30 people.

As an added twist, each book might – where appropriate – include a film reference to watch along with reading the book. So, for example, Todd’s book on prototyping – or Buxton’s book on sketching – might be read in conjunction with a viewing of IronMan. Dan Saffer’s book on gestural interfaces might be read in conjunction with a viewing of Minority Report or Quantum of Solace. People would be instructed to watch the film with the topic of the book in mind. An alternative – if a venue could be found – would be to show parts of the movie at the book club meeting, but I think it’s more managable if people watch it themselves.

I know some of the authors who’s books we’ll be reading/critiquing follow this list: in principle, would you be willing to provide a signed copy of your book as a prize for the group? Would it get to be too much of a burden if this sort of thing sprang up in a bunch of different places and each one was asking for a freebie!?

Such a meeting would provide experienced folks with a chance to revisit some classics in a critical light; as well as getting an incentive to read some more current materials. And for less experienced folks it would provide them with a forum to ask those ‘I don’t get it’ questions that they might otherwise never understand.

I haven’t sorted out a location for the get-together; and it will probably not start meeting until after Christmas.

Do you think that would work? Do you know if anything similar has been tried (and failed) previously?

Note 1: There has been some discussion as to whether monthly would be too frequent. Thoughts on this point would be welcome.


Why I don’t go to cinemas…

24 November 2008

Over the years I’ve put a fairly large investment into our home theatre set up. We have a nice TV – not HD, but close; really good speakers – without being stupidly expensive; and good-quality wiring and layout to get the most from each component.

And, of course, we have a very nice, large, and extremely comfortable sofa: it can seat four people easily across, and still leaves room for a 5th & 6th if need be; or just a 5th person lain out in the corner.

We have a large living area, that flows straight on to the kitchen, so it’s easy to hit the fridge for refreshments in the middle of the movie; grab a snack; make a coffee; pour a glass of wine etc. And the TV is wall-mounted, so you can easily see it from the kitchen – you don’t miss the action while you’re up and about.

As the home theatre has gotten better over the years, we’ve been seeing films at the cinema less and less. Instead, we buy DVDs and watch them at home.

Last Christmas we received a $100 Gift Card for the new Gold Class cinemas in Sydney (Greater Union, George St). We finally decided to take advantage of that, break out of our home-viewing habits, and go to see Quantum of Solace (new Bond film) at the cinema. Gold Class cinemas provide you with big comfy seats, food & drink service during the film; and a relatively small audience. All the benefits of home, but someone does all the hard work, and the cinema experience is always going to out-do our little set-up at home.

Ordering the tickets for the movie online was a pain in the ass, just to get the whole experience started. The booking process was singularly unhelpful, and the seat layout displayed during the selection stage didn’t match the layout printed at the confirmation stage – so we had no idea whether our seats would be what we hoped. Getting the site to accept the Gift Card serial number was similarly painful, but after several attempts – and the realisation that Gift Cards were different to Gift Vouchers – we were successful. $82.50 later and we have our tickets.

Arriving at the cinema everything was good. We were there in plenty of time, but the foyer at the cinema has no signage to indicate where the Gold Class lounge is situated. After looking around blankly for a while we asked a staff member who pointed us upstairs and said “Through the glass doors”. “Up there?” I asked. “Yes, we only have one set of glass doors.” Right. Silly us for not knowing that already.

We placed an order for a gourmet pizza ($21); and two banana smoothies ($8.50 each). Asked for them to be brought in around the 30 minute mark of the film; paid; and waited for the theatre to open.

Five minutes before the scheduled opening time we were asked to head in; up some more stairs and into the theatre. We were shown to our seats and given a cursory demonstration of the seat controls – “The seat controls are located here.” *Shrug* OK.

First things first: try out the seat controls. Foot rest: check; reclining: check. Look over to my wife – nothing. Controls are dead. Go off to find the stewardess who comes over; wiggles something in back of the seat and now it works.

The gourmet pizza place that delivers our pizza on a Friday night sends us two medium pizzas for around $30. The local cafe makes a mean banana smoothie – all fresh ingredients, natural yoghurt, honey, wheatgerm – all for $6.50.

The food and smoothies served up at the Gold Class cinema were very average by comparison. The pizza was passable, but not worth the $21. The smoothies were really milkshakes, and used that banana-flavoured concentrate instead of real bananas. When they arrived during the movie, the waitress stood in front of me (blocking my view of the screen) while she fluffed around re-arranging the tray table between us. Eventually the food and drinks were served; the waitress left. And apparently someone significant had been killed, rather spectacularly and gruesomely.

The whole point of the Gold Class cinema is that it should be substantially better than any other movie viewing experience. The cinema operators seem to think that they can get away with serving over-priced, sub-standard food and drinks and people will put up with it because it’s better than seeing a movie in the cheap seats among the great unwashed.

But guess what: I get a better movie experience at home! No-one gets in my way while the film’s running. The ingredients are fresh; and I can at least pause the film to get the pizza when it arrives. Hell, we can make our own smoothies for a quarter of the price, and they’ll be just the way we like them.

Our outing cost us a total of $120.50 + bus fares. For the same price I could have bought two new-release HD DVD titles; pizza; wine; smoothies; and be able to watch them again and again at any time.

Greater Union blew an opportunity to get my wife and I out of the house and seeing new release films with them – and paying a premium for the better seats etc – by realising that we weren’t going to compare the experience with what we get in the general-admission cinemas. A little bit of care with the service; serving up food and drinks that matched or bettered the fare available from a decent local cafe; and we’d be coming back for more.

Instead, I think next time we’ll be buying the movie when it’s released on DVD, and enjoying ourselves at home with friends.

PS: The movie itself was enjoyable. Worth seeing, if only to see the continuing evolution of the Bond character in this new, grittier incarnation.


The problem with banks and social media

21 November 2008

I’ve been doing some thinking recently about the different ways corporations of varying types could use social media as a way to reach out and communicate more openly and effectively with their customers, staff, shareholders, and the community. I’ve been thinking about it in the context of extending the brand values of the organisation into social media and what it means for different organisations to be ‘authentic’ in their engagement. And I’ve been thinking about how to make that social engagement a consistent part of the overall brand experience.

And I keep running into problems with two particular types of organisations: Government; and Banks.

Government & Social Media
There is so much that government – at all levels – can do with social media. The possibility for engagement with the community around policy development, social justice, customer service and law reform is just incredible; and that’s without getting into the campaign and electioneering side of things we’ve seen recently (that’s more politics than government, though).

The problem I see with Government using social media revolves around policy. Policies are formal statements of the government department’s position on a particular topic. Policies are concrete guidelines, and as such aren’t really open for interpretation or discussion. Which makes it hard for front-line departmental staff to communicate openly about issues except by quoting the relevant policy.

So while there’s a lot of potential for Government to use social media, they also need to put in place a strategy for handling situations honestly, openly, and with real intent to listen.

Banks & Social Media
We put a lot of faith in our banks. They hold our mortgages; they hold our cash; they transfer money to other companies when we ask them to, to pay off our bills, or donate money, or simply move funds around.

We need to trust our banks; all our financial institutions. And as we’ve seen recently, that trust is both critical to the smooth operation of our financial markets; and incredibly fragile. Social media, and the increased level of engagement that comes from it, places that trust at risk. At least, that’s how it looks when you let all of your front-line employees – any employee – interact with any customer, or potential customer, in an open and transparent manner.

I mean, as much as we like the idea that our bank will be honest and own up to making a mistake; what we’d prefer more is a bank that doesn’t make mistakes in the first place. The thing is: I know they sometimes make mistakes. Sometimes systems screw up; people get the process wrong; hit the wrong button; type in the wrong amount; and the wrong amount of money ends up in the wrong account.

What I’d prefer, when that happens, is that they be honest with me. You know – own up to their mistake, and tell me what they’re doing to a) make it right; and b) stop it happening again. Seth Godin put it like this:

“I’d replace the expensive sponsorships and buildings with something more valuable, quicker to market and far more efficient: people. Real people, trustworthy people, honest people… people who take their time, look you in the eye, answer the phone and keep their promises. Not as easy to implement as writing a big check for the Super Bowl, but a lot more effective.” – Seth Godin

So yes, it’s difficult. And yes, there are risks. But if you keep screwin’ with your customers: taking their money; making a huge profit; not being honest with them; and not providing good, honest service… they’ll join a community bank; or go somewhere else. And you’ll have no-one to blame but yourself.


The importance of reflection

19 November 2008

We’ve all been in situations in our professional lives where things didn’t go exactly according to plan. But how often do we take the time to sit down and take the time to reflect on where it all went wrong?

There are any number of ways in which we can stuff things up. It’s a sad fact of life that we makes mistakes – spectacularly so at times. None of us are perfect; and, more importantly, most of us are constantly trying to expand our skill set, experience, and knowledge. Learning is a critical aspect of our professional lives, and one of the best ways to learn is to just give it a try. And when you give things a try, sometimes you’ll get it wrong.

Get used to it.

More importantly, if you really want to get the most out of the failure as a learning experience, you need to go back and think critically about what went wrong.

In order to learn from our mistakes our reflection needs to include several components:

  1. Reflection is best done in proximity to the event itself;
  2. Be objective;
  3. Look at the problem from a range of different perspectives;
  4. Explore different possibilities for avoiding such errors in the future;
  5. Commit to improve and do better next time.

1. Reflect quickly
It’s important to take the time to look back at the events while they’re still clear in your head. The longer you wait the harder it will be to remember exactly what happened, and a lot of the details will be lost.

2. Be Objective
This is probably one of the most important elements of good reflection and learning. It’s normal to feel angry, frustrated, or just plain stupid when things go wrong. While you’re in that frame of mind is the wrong time to try to reflect on the problem. Wait until you’ve calmed down; get some distance – but not too much! Don’t forget point 1.

Objectivity is necessary for the reflection to really provide any value. If you’re not looking objectively at the situation, then it’s likely that a lot of what’s going through your head is more blame than responsibility. Reflecting should be an opportunity for you to ask: ‘What did I do wrong?’ ‘What can I do better next time?’

If you find yourself cataloguing all the instances where other people stuffed up, then I suggest you give it a rest for a while and come back when you have a bit more distance. What others did wrong is not the focus of the exercise.

3. Different Perspectives
A good way to uncover insights into why things went awry is to put yourself into the shoes of some of the other actors in the situation – client, colleagues, family etc. Try to look at the situation from their perspective: what were their expectations? How did the actual events match those expectations? Were they being listened to? What would they have seen?

If possible, and if you have the opportunity, it can be useful to actually discuss the events with others. Not as a formal de-brief – although these can be good for the project team – but as a way to gain an extra dimension to the problem. Remember, the idea here is to gain a better understanding of the path events took so that you can start to look at ways to avoid the same problem in the future.

4. Explore possibilities
Thinking about our mistakes can be painful; and something that we’d like to get over quickly. One way to do that is to come up with one good idea for not making the mistake in the future and calling a job well done.

But like most ideation activities, the first ideas are often not the best. Treat reflection in the same way: throw down a whole bunch of ideas and then start going through them. Look at each possible solution both in terms of how it might have affected the mistake for the better; and whether there would possibly be any further consequences down the track. The last thing you want to do is take a different tack next time and make things worse!

5. Commit to doing it better
OK, so you’ve thought about your mistakes; looked at it from different perspectives; come up with a few ideas that you think would work in the future. For many people, that’s the end of it. When the same situation arises in the future, they fall into the exact same behaviour; make the same decisions; and the same mistakes occur.

The point of reflecting on our mistakes is to make ourselves better at that activity in the future. But it usually takes an explicit commitment on our parts before that change in behaviour, thinking, and action comes together and actually results in a different approach next time.

Things to reflect on…
Short answer: everything. A meeting that goes pear-shaped; a design document that is completed misunderstood; a decision that cascades into a project disaster (budget, time, etc); taking a bad job/client; a clash with a colleague.

It can also be interesting, and useful, to spend time reflecting on things that we’ve seen or read – articles, books, a design, a product, a presentation. In this case, the aim is to think about how we can fit this idea or concept into our knowledge and make use of it in future.

I don’t have time to think!
This is a pretty common reaction whenever the topic of reflection comes up: I don’t have time to sit and think. So let me ask you: do you have time to make the same mistakes over and over again.

I was once told, without any hint of irony, that I wasn’t paid to sit around and think. That was, and remains, perhaps the most short-sighted thing I’ve ever heard.

I once read that senior managers should spend at least 25% of their time thinking about the future of their company; and another 25% reflecting on the past. Whenever I mention that to people in senior roles they can’t help but laugh. It seems ridiculous that we might spend that much time ‘not doing any real work’. But again I ask: if you’re not learning from your mistakes, then what ‘real work’ are you really doing?

Do you take the time to reflect? Don’t you think you should?


Sample Size Oddities on UXMatters

18 November 2008

My latest column for UXMatters was published over night. Sample Size Oddities – http://www.uxmatters.com/MT/archives/000352.php

“It might seem counterintuitive, but the larger the proportion of a population that holds a given opinion, the fewer people you need to interview when doing user research. Conversely, the smaller the minority of people who share an opinion, the more people you need to interview.

Mariana Da Silva has written an article about sample sizes in market research—or user research—titled “The More the Merrier.” In the article, Mariana made a comment that has caused some consternation—and for good reason.”

Take a read, and let me know what you think.